Monday, March 25, 2013

Rob Walker's Amazing Class for Writers

Take my class - in six weeks you will learm more about writing and have more insight into your own writting than any handful of classses in creative writing you have ever taken. I take 30 of your pages and turn them into a workshop as together we autopsy your style and if you can take it, we find out what might well be keeping you from commercial success but in plenty of rejection slips. Six weeks of access via email with yours truly. Only complaint I ever got was to be called a Butcher, a compliment really to a developmental editor.  Payment is a mere $90 and it could change your life as it has many previous students.

If interessted, contact me at inkwalk at SBC global dot net.

Now go read some of my articles below.

Rob Walker
www.robertwalkerbooks.com
 

Saturday, January 19, 2013

REGARDING Reviews on Amazon.... been a long, long-standing argument as to how important they are...how much people do or do not pay attention to them. The often vile, personal attacks by noids and jealous people who are frustrated, cannot themselves get published legitimately or any other way, have not figured out how to write themselves, etc is RAMPANT on there, and few have been as attacked by ridiculous one-star enthusiasts as I have.

The EXACT SAME book side by side with the vile personal attack on the author goes hand in hand with thoughtful 3, 4, and 5 star reviews. Often a RAVE review from a reader then is summed up as the author's buddy or mother. Frankly, my mother has an opinion of my work. She thinks it is terrifying and filled with way too many curse wrods and OMGs and Jesuses, etc. She will hammer me on taking the Lord's name in vain.

That aside, reviews are only helpful in how they can be culled and stripped for use as a marketing tool, so anytime anyone anywhere - not necessarily on Amazon - has a kind word to say about your book or your skill in writing then it is encumbent upon you to SPREAD that word wherever. whenever you can. I quote my readers who comment on my books on facebook and twitter as well as tossing up reviews from Amazon onto my facebook page, and I do drive twitter and facebook friends to where they can find reviews on amazon but also on any blogs, etc.


A review, even a 3-star, can be very helpful and enticing. I often use the TITLE of the REVIEW and url to garner interest because many Amazon reviewers have quite imaginative and descriptive and complimentary TITLES. Of course the one-star titles will be awful, but I have even done this with one-star reviews just to LAUGH in the face of them, but HIGHLIGTING them and showing them up for the stupidity that 99 percent of them are. Yes LAUGH at it. For instance, the idiot who judged my entire 140,000 double-novel TITANIC 2012 purely on the basis of the cover art. The reading of the book will have explained in no uncertain ABYSS dive style that we do have the technology in the book to make a DIVE INTO a shipwreck 3000 miles below the surface POSSIBLE. The book explains it; the cover depicts it. The SAME for BISMARCK 2013 also some 3000 miles below the surface.

Never judge a book by its cover UNLESS it makes you BUY mine! LOL. For that reason, make your covers sparkle and jump off the page.

Anyhow back to reviews. You might want to do this which is how I got a lot of reviews. I posted on my FB Wall that I would GIFT a copy of the book to anyone willing to read and review it on Amazon. No strings attached save that one provios. Free book, free review to me.

Not everyone who takes you up on the offer comes through for you; some will disappoint you, but some will come through for you and it is worth it. Worth your paying for the book to get that review. Is it underhanded? Hell no. Every publiher sends out FREE REVIEW COPIES by the hundreds, and they get back a very small percentage of return on that investment but if those few revews are good to great, then you can use them forever. Clive Cussler called my first Instinct title, Killer Instinct "MASTERFUL" and my then publisher in NYC used that single word culled from his remark that I did female characters far better than he could ever hope to for years afterward on all my 11 Instinct titles thereafter. 

Do feel free to leave a comment; let me know you've been by....

So GET reviewed by going AFTER reviews.

Rob Walker
www.robertwalkerbooks.com

Friday, November 23, 2012

WHO'S  IN  CHARGE - THE AUTHOR FOR FIRST TIME IN HISTORY, THANK YOU!


You want to know what I think is sad in all this new finagled (newfangled?) publishing paradigm? What is sad is that over the MANY years before Kindle was born and longer still before Amazon showed up on the scene, publishers - big publishers - and distributors - big time distributors were eating up all the smaller fish in the pond. Gobble gobble toil and trouble. It comes as no surprise to anyone who had been in the publishing Casino (it is more a horse race or roulette wheel than a business in my estimation)...anyhow anyone in the casino for my time in knows that now that it has come first down to the big SIX publishers left and maybe fewer big Distributors of the units you and I call books, we will not be surprised to learn it went down recently to the Big FIVE... and rumors on the horizon calling it soon the BIG THREE.

Imagine that, every publishing company in the US controlled by three corporations. So much for mom and pop publishers? Certainly, any that had any large following such as Algonquin Press is now under the umbrella of a major corp.  Ten Speed Press. You name it.  And while there remain small presses out there, many with extremely high standards from Krill Press and Echelon to Five Star and more, the shrinkage in publishing outlets has been a horror show to watch.
                                                                             
                                                                              

What has it done for authors? It has put us all on alert and many of us who are too smart to wait around for a year or more to sell a book, then a year or two to see it actually published, all the while making NOTHING in the way of green, no way to pay the bills in such a system... well the smart
ones among us, we have GONE fishing....NO  not fishing, we have GONE Indie Authorship; we have become our own bosses, we have become intrepid entrepreneurs thanks to Amazon.com/kindle ala www.kdp.amazon.com

At this site anyone can publish at no cost and you go into an immediate mode of publishing partnership with Amazon. This means as Barry Eisler encouraged all of us BEFORE kindle to do -- take charge of our own Writing Business. That means we become public relations and marketing, we become the guys who give thumbs up or down on cover art, and we write our own book description, and we become our own bandwagon and sales force.

I know that sounds tough and it sounds like you are giving up much too much in the way of BIG MAJOR Publisher coddling you and sending you on jet planes across America and putting you name up in lights and on marquees (bookstores ought to have marquees over the top!). But guess what, by the time you become the next Janet Evanovich or Stephen King or even Stephen Hawking, you will have cobwebs growing out your ears. While in the meantime, you can publish that book and begin sales in an hour or two.

Way back in 2005, Award-winning author Barry Eisler, author of the famous Rain books as in Killing Rain, wrote in MJ Rose's blog (another major author) that writers need to quit bellyaching about their poor sales and poor relations with their publishers and take control instead. Treat their quite artistic productions as business people by putting on the entrepreneur's hat. Seven YEARS ago a lot of us were saying you have to treat your work as best you can as a business venture, and Barry laid out a long list of process and method to get you there. It was reprinted in the infamous newsletter put out by the MWA - mystery writers of America - The Third Degree.  The point of my blog -- by going Indie Author ala Kindle or any other ebook process, we smart guys who beat our heads against the NYC curtains and walls of NYC publishing have freed ourselves of untold burdens that frankly no one ever wanted to hear us complain about, so I won't complain about them here. What I will say is the discovery of one's courage in taking the leap of faith, and the discovery of a new found freedom among the new fandango of a new publishing reality has been WONDERFUL and PROFITABLE.

Rob
www.robertwalkerbooks.com


 

Monday, November 19, 2012

I have gotten away from blogging for some time....Had been terribly busy with all manner of other things too mediocre to list here.  Suffice it to say, am getting steam up to reestablish DIRTY DEEDS here.  I hope to at least blog once a week and have some guests bloggers as well.

So watch for it!  I will post when and where I can as new blogs go up.  Most will hopefully be of use to readers and writers alike as well as all book folks.

Rob

Wednesday, May 16, 2012

Recently was asked a question via my website at www.robertwalkerbooks.com and it went a bit like this:  "Knowing you are quite the experienced author and enjoying the hell out of your City for Ransom series, I have to ask:  How do you deal with rewrites from agents, editors, and publishers?  I work a full-time job and find it extremely frustrating after having once told the story and pounding out hundreds of thousands of words only to be told it needs a complete rewrite.' -- thanks, Jackie Chan

OK...I changed the name to Jackie Chan. But the question remains and here is my reply to Jackie:                                                 

Hello -- your question is one that will rarely be answer the same way twice, but for me REWRITING is where I make so many "aha" discoveries that really and finally improve and characterize the book to make it as unique as it can be. I worked briefly with your agen Xavier Holecraft (not her real name), so I know how frustrating it can get; I pulled out when after a year or so she was unable to place anything I sent her, and yeah, she wanted a lot of rewrites. I don't hesitate to rewrite but after so many hurdles one gets well...frustrated.

I finally got those Ransom books sold after they were turned down by EVERY publisher known to another agent who represented them. We'll call him Calvin Jeans, a fellow I fired TWICE. Agents frustrate me as much as do publishers. If working with a traditional publisher, I prefer doing a partnership/rewrite with an actual EDITOR in house. If I am workking with a publisher.

I say if because for my last book done with a publisher we'll call Zenith Press (made up name) while they were happy with the sales and pocketed what they considered enough to make them happy, I earned very little, a pittance. After that, I took the same book and priced it at 2.99 as an ebook and have made some serious money, thank you! This after getting all my out of prints "in print" as ebooks. Some forty titles that I feel publishers looked on as midlist and with no or little enthusiasm. The Ransom titles are as good as I get, and yet they did not earn out; I say it is due to the piss poor way they were handled and given short shrift by the publisher as my editor was gung-ho over them while the pblisihing house simply did not know what they had in hand. (Your letter was prompted by your reading of these books and how you loved them.)

My last six or so titles have been Original to Kindle ONLY titles. I have extended 'dead' series as a result, placed Ransom on board Titanic 2012 - Curse of RMS Titanic, did my Bismarck 2013 - Hitler's Curse without anyone telling me no one would want to read an alternate history of the greatest battleship in history. I also publsihed what amounts to my life's work, a novel turned down by EVERY publisher and agent, inlcuding Chan and Calvin -- Children of Salem.

 My first agent, who has since passed away, said of my Salem Witchcraft title 30 years ago, "I love it, Rob. There are scenes I cannot get out of my mind, but in this market, I can't sell it." I got the same sort of response from every place I sent it--and it went everywhere. As an ebook, it is doing very well and has found an audience.

 So....as far as rewrites, imagine how many times I had to rewrite Children of Salem -- off and on between doing 8 series characters over 30 years! So I may not be the best person to ask regarding "Are rewrites necessary" as in my 'book' they are absolutely necessary, and so far as I am concerened, editors are a fantastic help (not so sure the 'editing agent' is anywhere near as helpful--least not in my experience).


 Man....so in the end, yes, REWRITNG is WRITING so far as I know. Frustrations abound in dealing with agents, editors, and publishers but the real hurdle to a reader's GETTING you, following you, understanding you is YOU.  Don't get in the way of a good edit. Once you get editorial corrections take them like ducks in a shooting gallery and deal with each in turn. Some will be minor, grammatical, logic issues, while others may require a rethink of format, plot, characterization. Take them each in stride and realize the best for the book is not always one's own myopic view.

Good luck and happy REWRITING.
Rob
www.robertwalkerbooks.com



Thursday, June 02, 2011

Life doth slow a writer down...

Life oft times gets in our way, we sorry bunch of storytellers. There are newborns you have to go see, family reunions, picknics, parades, funerals, hospital visits as well as holidays. We are expected on holidays.

As writers who cherish every moment of time we have to write, we find the less time we have to write, we get more written. That sound like a paradox to you? But think of it, too much time on our hands and what do we do with it but fritter it away? Less time we have, generally speaking, the better we schedule and stick to said schedule. Scheduling time to write is really key to getting pages stacked up and eventually fit for editing and rewriting.

Lately, I have had so many distractions and problems thrown at me by life that a series of monkey wrenches are making it impossible to schedule time, so now I have to grab time wherever and whenever I can.

I embarked on the writing of Bismarck 2013 - tentative title. I have a whopping seventeen single-spaced pages completed, some four or five scenes. I am feeling pretty good about the quality (as I edit in the process of re-reading up to where I left off, then go forward), but not too thrilled with the quantity at this juncture.

While outside forces beyond my control have reduced the time I have had to work on the book, another outside force is working from within--the simple knowledge that I know I don't know enough...that I need to do far more research, and that I need to buckle down for that, despite the fact I want to jump into the writing.  This has always been a problem with me--more anxious to do the story than the research behind the story.

Don't get me wrong. I love reading and researching my topics but the story is bursting to get out of me and onto the now proverbial page which is now a screen and not a page.  The story wants be told, and the story does in fact dictate far more so than research, and that is as it should be. No matter what the backdrop for the human drama is, it needs remain as backdrop and not take over or overtake the story itself. If that happens, you need to be writing for Encylopedia Britanica, non-fiction and not fiction. Dramatic writing dictates the story comes first. Good example is the now 75 year-old classic Gone with the Wind. It is not about the Civil War. It is about Scarlet O'Hara as another Perils of Pauline tale; the burning of Atlanta and the War Between the States just happens around her.

So these are the issues revolving around the opening scenes of Bismarck for me right now. I will see to it these issues and this all important balance gets worked out. In the meantime, the pages I placed up earlier as openers have entirely been overhauled. Rest assured some pages are getting done despite the hassles of life's intrusions--some of which must take precedence over pushing the new novel along.

I blogged at http://www.acmeauthorslink.blogspot.com/  for my weekly article there on the Creative Process and how very Mystical and Magical it truly is and how it all comes down to we authors having OCD--obsessive compulsive disorder. I think that is part of the tussle to want to get underway with the story despite a feeling of needing to do more research at the same time. Two sides of the brain at war but then a story is a war and an author is its combatant. After all, with my Titanic 2012 and now Bismarck 2013, I am embarking on a new subcategory of suspsense--seafaring suspense.

Rob Walker
Titanic 2012, Children of Salem, and more...

Saturday, May 21, 2011

Yet Another Ambitious Seafaring Suspense Novel?

Last year beginning around Feb., I began TITANIC 2012 - Curse of RMS Titanic, and I tried to do my best to keep a running blog or log or diary of progress, success, failures, steps going forward, steps going back...various stages of development of the novel and a running commentary....

Well now after the success of completing TITANIC and now that it has been up for sale on Kindle for some time, I went seeking a new project that was equal to the task of being on a par with Titanic, as I feel Titanic, my Titanic with its various layers, interesting characters, and its new theory of the crime that absolved the iceberg and took Capt. Edward Smith off history's shady pedestal.

So where to go, what to do... After taking a break from the heavy-duty writing, I did a quick book 4 in a horror series I had penned as Geoffrey Caine years back. Always wanted to work again with Dr. Abraham Stroud, arecheologist and vampire/werewolf slayer, so BAYOU  WULF came into being while I allowed something more major, bigger, more ambitious to percolate and it came to me -- Go Find The BISMARCK.

Go after the Bismarck just as Dr. Robert Ballard did not rest on his laurels of finding the Tianic, where she sat on the ocean floor. Ballard next set his sights on The Bismarck, so why not do the same, only give it my special stamp. Give it intrigue, make it compelling, bring in Hitler, get into his head a bit, get into his obsession with the occult and what that might have to do with the ill-fated Bismarck.

And how can I get an Alastair Ransom-type character during WWII aboard the ship to act as hero?  Would he be German or British? Would he have help or act as a loner?  And what about alternating chapters with a current day or futuristic tale of divers going into the now wreck -- as I did with Titanic, only while making it 'somewhat familiar' making sure it is uniquely its own story?

These WHAT IF questions form the backbone and skeletal makeup of story, and they represent the first "percolating process" for the imagination. They help me SEE scenes, picture the moment(s), imagine the dialouge and scenes and characters.  I imagine the principle characters about a country store cracker-barrel or in this case the ship's galley -- of course aboard the largest battleship ever built to that date, Bismarck's Galley was likely two or three huge rooms needed to feed a crew of some two thousand.

In any event, I want to do my best again for youZ guyZ -- to do a kind of Julia & Julia Journal but this one is not about cooking food but cooking up an imagination emporium--another word for a helluva novel. So am making this ANNOUNCEMENT here and now -- GONNA NEED A TITLE...SO THERE WILL BE A TITLE CONTEST.

Am  GOING to need some 'throwaway' characters - extras willing to die on the Bismarck, but this time German names will be in order for the most part. There will be a slew of other names during the telling of the modern dive to Bismarck story, however, so I will be asking for volunteers -- you give me the green light and I will kill you off in brutal fashion in the story I am tentatively calling BISMARCK 1941 - 2012 or Bismarck 2013.  Much depends on how soon I can get the novel penned as to that significant date.

So am putting out the call to NAME the story contest, and seeking Extras willing to die for the cause.

I will be posting these needs on facebook, twitter, driving people here and there. For the time being if you'd care to read on here are the opening scenes so far. PLEASE tell me what you think in the comments section.

Here is the excerpt in very Rough Form:

                   B I S M A R C K   2013

May 5, 1941 aboard the Bismarck


Adolph Hitler smiled and rocked on his heels, 5’10 in his British-made Wellington boots; he smiled and turned his head in all directions from the bridge of the deadliest battleship ever to set sail on the high seas—Bismarck. He’d come aboard with heavy security, and Lt. Commander Peter Dorfmann had noticed the box—a wooden crate marked as canned fruit, ostensibly a gift for Admrial Lutgens. Hitler’s entourage plied directly to the Admiral’s quarters first, deposited the gift, and had returned to inspect the rows upon rows of sailors lining the deck to greet him, after which came the speech-making.

Dorfmann, well aware of the fidgeting among the ranks now, did his best to set an example, staring up at the fuehrer with a look of pride affixed to his face. He did so while his eyes wandered to the other officers aboard that he could see from his vantage point. There was X whose adoration for Hitler could not be matched. Not far from X, stood X, who was equally excited to greet the leader of the Third Reich who had graced the ship with a blessing now, ending with, “I pray not for you men of Bismarck, for many will die to achieve our ends. I pray not for the Bismarck herself.” Hitler’s voice had gone to an uncharacteristic whisper at the microphone that covered most of his blunt features. Peter wondered how the man could say such things and not a single grumble from the men aboard this ship when Hitler ended with, “I pray for der reich, the Fatherland!”

This sent a cheer up among the men so loud that it sent seagulls a mile away scurrying.

Bismarck, named for its architect Johan Bismarck, had been originally christened and launched amid a crowd of thousands who’d swarmed into the Hamburg shipyards of 14 February 1939 to celebrate the launch of Germany’s grandest battleship. Cheers had filled the air that day, and Peter had been on hand, in his uniform, under orders to be there among the onlookers, giving the Nazi salute as the ceremony came to a close and the giant warship groaned and slowly slid from its gantry and into the water for the first time. At the time, Peter hadn’t a clue that he would be enlisted to be among Bismarck’s crew.

So why now, two years later, with almost the entire continent of Europe save Russia and Spain under Nazi control, was Hitler here, aboard, carting oranges and apples to Admiral Lutgen’s quarters?

Peter was born curious and he was raised cynical.

As for Hitler, Adolph, Peter privately called him, Peter could hardly believe the events that had led Hitler from a failed soldier, a failed artist, a failed family man to this—his prominence as the leader of the Third Reich, but it must be destined, it must be fate, a higher power to which, someday, Adolph might perhaps bow to give thanks. As for the battleship Bismarck, her guns the most enormous ever devised, Hitler smiled even wider now, no doubt at the thought of the power beneath his feet, at the adoration of the mariners, and at Admiral Gunther Lutgens introduction. Not that the Fuhrer needed any introduction.

Still the introduction went on at length, followed by a welcome aboard from Captain Johan Lindermann, who kept it short. Peter thought he detected a minute and quickly covered smirk from Lindermann.

Still with Hitler basking in it, the long and winding introduction, filled as it were with praise for his leadership and vision for the Fatherland, finally closed, and Adolph, feeling a twinge of his childhood fantasies bubbling up, raised his hand to the two thousand men aboard Bismarck and shouted, “Seig heil, sieg heil.” To which the men responded in one voice, two replies: “Sieg Heil,”—to Victory—and “Heil Hitler! Heil Hitler!”

And so it went on. It went on long. Every proud young seaman in the Der Deutbchen Krietgsmarine stood on the decks, arms raised in the now well-known Nazi salute, and when the combined nearly two thousand men raised their voices, shouting Zeig Hiel, Zeig Hiel, it felt as if Bismarck herself shook with the reverberation.


May 5, 2012 at the wreck site in the Irish Sea

The black undersea cosmos at these depths could not be calculated for its sheer impact on the human psyche. Ryne Muellerheim slid in behind Horst Baderfitz as they closed in on the sunken Bismarck, encased as they were in the underwater marvel of a mini-sub, the Blitzmariner, of modern German design.    

Both divers could trace their ancestry back to the men on the shipwreck they were racing toward—the infamous German destroyer, Bismarck. They moved through the deep like a wave, hardly noticeable even on the radar screens manned by people who expected to see them, the captain and crew of Victory, the seagoing salvage ship that meant to take what it could from the bowels of the sunken WWII battleship.

They had little interest in anything else such as precisely how or why she sank as history dictated her demise quite thoroughly, although some scholars questioned the odds of a direct hit on her rudder by a single torpedo fired from a plane like some gift from the gods of the British fleet and ample vengeance for the sinking of The Hood, the Lusitania, and Titanic’s sister ship, Britannic—all of which had been sent to the bottom by German engineering of one kind or another.

Ryne and Horst watched out the portals, marveling at there being no wake, no bubbles, nothing to indicate they were here. They traveled much as a shark or dolphin. Absolute silent running in what amounted to a high-tech titanium shark, a sleek, space-age designed undersea craft created specifically for this, the most ambitious salvage of a dead ship at such depths in all of history. They meant to make a fortune along with that history.

The Bismarck sat at the sea bottom in the straights of the Irish Sea in a deep valley floor. It would be 4,570 meters or 15,000 feet to the surface should they encounter any problem. In other words, miles to the surface once they exited Victory and dared enter Bismarck. The two men had seen graphs depicting the depth, putting New York’s Empire State building on the bottom for comparison alongside Paris’ Eiffel Tower and Toronto’s CN Tower—all dwarfed to the size of a needle on such graphs. It was a miracle that Robert Ballard had ever found Titanic, and even more of a miracle that he’d located the Bismarck in 1989 at such depths. All thanks to the advanced underwater sonar developed by the US Navy.

A school of krill suddenly engulfed them, the cloud so thick as to blot out sight.

Damn, it’s like a white out in Upstate New York!” shouted Ryne, who’d spent some time in America.

Horst nodded. “Like million diamonds blinking down on—” but he didn’t finish before the implosion of Victory, killing everyone aboard instantly, the two German divers and George Fleet, the man at the controls. They never knew what hit them aside from the krill storm but Victory had slammed into Bismarck like an airplane hitting a mountainside. The krill had blinded Victory’s pilot long enough for Bismarck to kill them all.

At the surface, everyone aboard The North Star—an oceangoing scientific and salvage ship, those at the monitors sat stunned, aghast at knowing the expedition was over, doomed to failure. One man had noted the sudden cloud on the radar screen that had engulfed Victory and the three men inside with the suddenness of a storm at sea. At the last possible moment, Fleet, steering the sub, had shouted out the word ‘whale’. Where there was krill, there was whale. He’d most likely—though no one would ever know for certain—cut away from the whale to avoid hitting it only to crash into Bismarck rather than make a soft landing aboard her.

Rob Walker
Titanic 2012